I’ve had the chance to work on some of the most high-profile Out of Home placements in the world, from the buzzing streets of Times Square to the neon-lit lanes of Tokyo, where I’ve navigated everything from massive multiple 6K synced displays to unique projection-mapped installations.

These placements are in the middle of some of the busiest, most chaotic environments on the planet, and I’ve learned how to turn that chaos into a creative opportunity.